in this respect even a good basic reclocker like Iris would be very good ,on pontus and even Venus dac ,and Holo springs worked wellįor $600, next Big step the $1250 Hermes better everything including oven controlled clocks ,if you can afford it. It filters and cleans the incoming digital signal ,through usb,BNC,or coaxial cable, then reclocks signal to dac to have a pristine signal to read. Just the reclocker itself is worth wild for. These are the questions no one I know has been able to answer with absolute knowledge. Or don’t bother syncing clock with cheaper Iris DDC ? Do you have to have a reclocker with = quality ⏰ clock to the dac to make it a Sonic improvement ? The Big question is how does this work? Does the better clock in the dac dominate or influence the lesser clocks ? Is there any advantage to syncing clock say from cheaper Iris DDC reclocker ,to the very good say Terminator oven controlled clock. Here is a big question, say you have a very good dac with over clock ⏰, ,other dacs clocks may use 5-10 MHz ,this gets a bit confusing. NOTE: it is important to set the sample rate and bit depth settings on the front of the ISA to the same settings for the rest of your system, even if the ISA is slaving to a wordclock signal.Hello To all ,many Audiophiles I have found do not even know what a Digital reclocker is, and what does it do exactly, and how it helps the incoming signal.Īnd the Bigger question is Syncing the clock to Dac.įor example with Denafrips Reclocker, the most versatile I have seen with input outputs especially from Hermes, Gaia DCC reclockers most inputs,outputs, they have both 45,and 48 MHZ for clock sync. If you have a very complex setup, it may be beneficial to utilize a third-party wordclock generator to provide clock to all of your digital devices. This can be useful in more complex setups where you have multiple digital audio devices as the clock can be passed through (daisy-chained) to other devices from the ISA. The signal seen at the ISA's 'wordclock in' connector will be regenerated at its 'wordclock out' connector. You will need to select 'Ext' as the sync setting on the front of the ISA, or 'Ext S/C' if the clock signal is 256x 'Superclock' (NOTE: the ISAs will not generate Superclock, only receive it). In this configuration you need to connect a BNC wordclock cable to the wordclock input of the ISA so that it can sync to an external master clock. If there are additional digital devices in the rig then you should connect the BNC word clock output on the ISA to the word clock input of those devices, then set those devices to receive their sync over wordclock. For example, to use the ADAT format, connect the optical ADAT output of the ISA unit's digital card to the optical ADAT input of your audio interface, then select the clock source for your audio interface to ADAT. In this configuration the ISA generates the clock signal for all digital devices in the setup.Ĭonnect the digital audio output of the ISA (ADAT, S/PDIF or AES3) to the corresponding digital input(s) on the receiving device and then set the receiving device to sync to its digital input. There are two ways to configure an ISA in a digital audio system: The way you sync the devices together depends on how many devices are in the signal chain and which device you select as the Master clock. If your unit has one of these cards fitted and you are connecting digitally to other equipment (via AES3, S/PDIF or ADAT) then the ISA unit must be in sync digitally with all other digital audio devices in the signal chain. The ISA One, 220, 428, 430, 430 MkII and 828 can be fitted with optional digital converter cards.
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